The Method

How the reading works.

Colour analysis, done with restraint and honesty.

Traditional colour analysis hands down a verdict from a single glance. Fourteen quiet observations — of your hair, eyes, skin, and the way colour behaves against you — are read together across five dimensions:

Warmth

Whether your colouring leans warm, cool, or sits neutral between them.

Depth

How light or deep your natural colouring reads, hair, eyes and skin together.

Clarity

How clear or gently muted your best colours run.

Contrast

The spread of lightness across your features. Read from you, not from your season. Contrast does not choose your season; it shapes how you wear it.

Olive

A green-neutral cast in the skin; the fifth dimension, and the one most often misread.

Why olive matters: a green-neutral cast is the most common misreading, mistaken for warmth or coolness. Read as its own dimension, it lets the season land true.

An honest confidence

Every reading returns one of four honest states — chiara (clear), sfumata (a shading, close between two), confermare (worth confirming in better light) — or, rarely, no season at all, when the answers sit far from every one of the twelve.

The Calculation

Published in full.

The method above is the whole of it — nothing is held back. The calculation stands on hue, value and chroma, each standardised so none outvotes the others, with olive read as its own signal and carried into chroma — which is how a green-neutral cast stops being mistaken for warmth or coolness. A population prior is applied — some seasons are simply more common than others — but only where the signals are close. Where the reading is clear, the prior does not change it. Where two seasons sit close, the reading names one and says so, with the other standing beside it. Where the answers sit far from all twelve, it names none — and the page says so plainly.

About Vellatura

Vellatura.

Vellatura is a digital atelier of personal colour, based in Singapore. The name speaks of velatura — the thin, luminous glaze old masters laid over a painting to bring the whole into harmony. That is what your palette does for you: not a mask, but a glaze that lets your own colouring come forward.